Wednesday, June 25, 2008

Album Review: G-Unit- "Terminate On Sight"

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Since the height of their popularity in 2003, G-Unit has gradually fallen off the radar. Surely some of this has to do with the public's preference for hip hop with no trace of musical value but 50 and the crew are also to blame as they have pretty much put out half-assed music since then, the singles from this album notwithstanding. This album isn't gonna do Weezy numbers, but will it at least deliver as an album?

1. Straight Outta Southside

Gully. A surprisingly tasteful remake of the original too. My bootleg replaces those horns in the beginning and on the "hook" with some synth but I heard the version with the horns on the radio saturday I wonder what the deal with that is.

2. Piano Man

Tony Yayo's verse which kicks this off is comically bad. This uses only a few notes of a piano sample and the rest is just a shitty synth beat which makes me believe that G-Unit made the song as an excuse to laugh at Tony Yayo later.

3. Close To Me

A track about the hoes not unlike the single except over a synth filled version of "Lollipop". Yikes.

4. Rider Pt. 2

50 Cent, whose most lasting quality was his ability to write memorable and catchy hooks, sings on the AutoTune about who knows what in what is the most irratating 35 seconds of rap I've listened to in a while. Fortunately (I guess) it's not exactly like it ruins a classic song, its pretty terrible.

5. Casualties Of War

Another annoying hook and synth beat though this one is more listenable than the rest. Lloyd Banks boasts that he "shits like a dinosaur". Tony Yayo of all people makes up for it with the powerful lyric "fist full of stones/fingers glowin like E.T.".

6. You So Tough

Calling out the fake gangstas I guess. 50 Cent goes after T.I. (kind of) at the end but save yourself the time its not very dramatic.

7. No Days Off

This is just aight which sounds great compared to the rest of this garbage. At least it has a guitar and not just noisy synths.

8. T.O.S.

Same deal with the last one in terms of song quality but this one sounds like a sped up sample of a busy signal.

9. I Like The Way She Do It

The synthy lead single about strippers or something.

10. Kitty Kat

What the fuck, is G-Unit even trying anymore? I swear to god they come up with these ridiculous songs just to make Tony Yayo sound stupid.

11. Party Ain't Over

This sounds like any one of those first couple tracks. In other words, this is awful.

12. Let It Go (Feat. Movado)

As if this album wasn't annoying enough this one's got some Raggae guy yelling about being "gahngsta".

13. Get Down

Swizz Beatz' career resurrection is all that's wrong with hip hop today.

14. I Don't Wanna Talk About It

The other day Tony Yayo was on Shade 45 with Whoo Kid talking about Young Buck and he was like "Game fucked up, he got a mohawk". I LOL'd.

15. Ready Or Not

This is the grimey sound that "Beg For Mercy" had and this album severely lacks. Maybe its the absence of Dr. Dre?

16. Money Make The World Go Round

This one's kind of grimey too but not as good as the last one.

Overall: Well that was awful. I can't say I didn't see it coming. As much as I liked "Beg For Mercy", the singles more or less indicated the direction this album would take which was a very bad thing. I mean as far as I know, the best producers on the last album (Dre, Hi-Tek, and Jake One) didn't contribute anything to this album.

Best Songs: "Straight Outta Southside"

Friday, June 20, 2008

PropsOverHere Presents: Classic Rock

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Download


From the god who brought you "T.R.O.Y." and "The World Is Yours", a collection of unheralded, Pete Rock produced joints.

Tracklisting:

1. Give It To Y'all- The U.N.
2. Nothin Lesser- The U.N.
3. Boston To Bucktown- Special Teamz w/ Buckshot & Sean Price
4. The Rap Game- Pete Rock w/ The Large Professor
5. Death Becomes You- Pete Rock & CL Smooth w/ The YG'z
6. Shout (Remix)- Onyx
7. Long Time Coming- The U.N.
8. Specialize- Pete Rock & CL Smooth
9. Greenbacks- Pete Rock
10. To My Advantage- Pete Rock w/ Nature
11. Beats & Rhymes- Grap Luva
12. Chunky- Ghostface Killah

Thursday, June 19, 2008

Verse Of The Year?


Having been listening to Nas and DJ Green Lantern's "N- Tape" mixtape on repeat for about a week now, I have concluded that, the best verse on the mixtape, and thus of the year so far goes to Joell Ortiz. This is not to say that Nas is whack or anything he drops gems all over the album, but Joell, an Aftermath outcast and Brooklyn native just went in on the "Ghetto Remix" which is just a gutta song all around. Here is a link to the track and the lyrics to Joell's verse.

Planet earth
The land of the worst
Handle your turf
Canons'll burst and break the wrist of ameteur jerks
Damn it'll hurt to know your man in that hurst
I seen it ten times
They get a small article never the headline
Candles in the lobby next to empty gnac bottles
N*ggas talkin shit like when they see this mack nozzle but
Nothin ever happens
Even if it do, nothin ever happens
We don't talk cuz that ain't gutta if you yappin' in the ghetto
You can ask a n*gga mother what happened and get an echo
Where I'm from, it's so bad
Bunch of ignorant mahfuckas with no dads
Or he did but he didn't care cuz he nursin his dope hab
And when him and they moms argue we always throw jabs
So they grip a chrome mag and walk around like 'who want a toe tag?'
Fiendin' to leave a head see-through like a coat bag
If your life's slightly somethin like the one that Joell had then you (ghetto)
Group of p's (?)
Scoop G's
Duck D's and squeeze
Breeze in old hoopties
Bumpin new Ortiz
And the hoochies please G's by gettin on they knees and givin the part the scarecrow needs
I'm livin that life
The shit that I write is from my heart, my word
Open your pocket grab a sharpie homie, mark my words
If, anybody in the field with me and these bucks
I ain't only endin careers dog
I'm beatin' you up
I'm still ghetto

Monday, June 9, 2008

It's That Time Again: PropsOverHere's 5 Most Anticipated For '08


Last year I actually had to do this twice because only the #5 album on my list actually dropped, but I have been building up my false hope since then in order to bring to you the albums I'm looking foward to this year.

5. DJ Revolution- King Of The Decks

DJ Revolution is a world renown DJ with a fairly unimpressive track record as a producer, given Ed O.G's "Revolution" (which is a nice track) is his finest work as far as I can tell. He is set to showcase his production skills with this producer album on Duck Down which is rumored to include Sean P, Crooked I, Bishop Lamont, Royce 5'9", and Planet Asia amongst a long list of nice MCs.

4. The Game- L.A.X.

Not only is The Game one of the most skilled mainstream rappers (if not the most), he has consistently gets some of the best production. I expect nothing else from this album after the Cool & Dre banger "Big Dreams" and probably one of the more meaningful and creative hip hop tribute songs "Game's Pain". Set for a July release date, this should be the shit for the summer.

3. Raekwon- Only Built 4 Cuban Linx 2

Here is where I start to set myself up for a letdown. That grimey "Jihad" track with Ghost has me hoping that the album is on its way but I probably thought the same thing when "State of Grace" leaked like three years ago.

2. Nas- [Untitled]

Who knows what this album will end up being called, but I have a good feeling that it's gonna be serious. Nas has gone over my head with this N word message but the tracks I've heard thus far are all quality especially the epic "Hero". Plus, the new mixtape lives up to all the hype. All the signs point toward the next great Nas album.

1. Saigon- The Greatest Story Never Told

This album will be my most anticipated until evey copy of the master is gone from the face of the earth. Most recently, Sai and Just left Atlantic and have full control over the destiny of the album and there are rumors circulating that he'll end up with Jay-Z at Live Nation. Whatever the case, I think (in the right hands) his new track "Better Belive It" with Justin on the AutoTune could blow and that the album may see the light of day in 2008.

Thursday, May 29, 2008

Unreleased Ghostface

Download: "Ghost Deini" (Original, Uncleared Sample Version)
We all know the Ghostface classic "Ghost Deini" off Supreme Clientele, but did you know that a better and gullier version of the song existed? I didn't until I downloaded acompilation of unreleased music (mostly due to sample clearence issues) made by Think Differently mainly for the original version of "The Champ" which was kinda weak. Anyhow, I was pretty blown away by this. Highly recommended.

Sunday, May 25, 2008

Ahmad Jamal: The Grandfather of Hip Hop



This is the first post I've made which could be considered informative and interesting, so fucking read it. To the best of my knowledge, the breaks and drums heard in early hip hop songs were sampled from James Brown and Parliament Funkadelic. But fuck early hip hop songs, right? The best hip hop in my opinion was made in the early/mid-nineties, and the guy responsible for many of that era's (and other era's) greatest beats was legendary jazz pianist Ahmad Jamal. Jamal's compositions have been sampled extensively by some of the games greatest producers.

Here is a catalogue of his sampled work to the most of my knowledge:

1. "Misdeameaner"

Hip Hop Uses: Gangstarr- "Soliloquy of Chaos" (DJ Premier)
Black Moon- "Black Smif N Wessun" (DJ Evil Dee)


2. "I Love Music"

Hip Hop Use: Nas-"The World Is Yours"(Pete Rock) (at 5:00)



3. "The World Is A Ghetto"

Hip Hop Use: Fat Joe-"Shit Is Real (Remix)"(DJ Premier)



4. "Awakening"

Hip Hop Use: Shadez of Brooklyn-"Change"(Mr. Walt)



5. "Swahililand"

Hip Hope Use: De La Soul-"Stakes Is High"(J Dilla)(at 7:30)



6. "Pastures"

Hip Hop Use: Jay-Z-"Feelin It"(Ski Beatz)(at 1:11)



7. "Dolphin Dance"

Hip Hop Uses: Deda-"Can't Wait"(Pete Rock)
Common-"Resurrection"(No I.D.)



8. "Theme Bahamas"

Hip Hop Use: Nas-"I Gave You Power"(DJ Premier)(Can't really here this one, but its in there)



9. "Poinciana"

Hip Hop Use: Binary Star- "New Hip Hop" (?, Decompoze maybe)

Album Review: "Operation Take Back Hip Hop"- Craig G and Marley Marl

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This is the second Marley Marl album in as many years that would have been good in the 80's, this time with freestyle legend Craig G on the mic. The album with KRS-One was pretty much garbage but its also been obvious for some time now that KRS has lost his marbles. In any event, Craig G and Marley are far too irrelevent to ever "take back hip hop," but will this at least appease the purist types on the internet?

1. Intro

I thought Craig G and Marley Marl were going to take back hip hop with some old school flava but apparently they've built a robot to do it for them.

2. Reintroduction

Wow this is just bad all around. The beat hurts my ears, the lyrics suck, and the hook is laughable.

3. Quality Work (Feat. Will Pack & Rakaa)

I swear this is exactly like the last song, all the way down to the shittyness. An extremely annoying beat (this one full of goofy, space-sound-effect noises) and rhymes about how rap sucks now (Craig actually says "monkey see, monkey do" on both).

4. Made The Change

This one uses the Biggie voice sample. Couldn't have seen that coming. This one has a fruity flute sample on it too. What the fuck happened to Marley Marl? Or should I say, who the fuck does he send to the record store to find samples for him?

5. Deep Down

This could pass for a song from the early 90's. Not a good one, but still.

6. We Gets It In (Feat. Talib Kweli)

Talib Kweli spits the same verse he's been spitting his whole career (you know, about the "institution" and shit). For what its worth this is maybe the best song eyt.

7. Just What I Need

This is the first beat that wasn't hard to listen to. Craig G raps about the state of hip hop again. Believe it or not, "Dey Know" > shitty tracks by old rappers about how hip hop sucks.

8. All Seasons

The beat is mostly pretty bad on this its just like the same note of an organ keyboard every four beats but I like the piano that kicks in there. This song is also about money and seasons or something but most importantly not about bad rap music which is a plus.

9. War Going On (Feat. Cormega)

For this one, I'm actually gonna predict the Prodigy voice sample. I can't prove I did that, but needless to say, I was right. Cool I know.

10. Skates

This beat is kinda chill but holy shit Craig G is bad.

11. Stay In Ya Lane (Feat. Sadat X)

Ah back to the whining about hip hop. This time, let's bring in Sadat X, because that guy sure can still rap.

12. Open Ya Eyes

This beat is alright I guess. The raggae inspired hook and Craig G yogurt references, not so much.

13. Regrets

This is just that same, over used, obnoxious horn sample over and over again. Craig G doesn't really even rap over it at all.

14. Not A Word

Pharoahe Monch would kill this shit.

15. Rock Dis (Feat. KRS-One)

KRS and Craig G trade rhymes. This would be pretty good for an interlude type thing. I'm just trying to find a silver lining at this point.

16. Don't Make Me Laugh

A failed attempt at an intimitating, gully sounding track.

17. The Day The Music Died/How About The Mic (Feat. Cold Heat)

This one I actually enjoyed and not just in a hypothetical scenerio way. The first song is about what it would be like if artists from other genres acted like hip hop artists, kind of like that one Ghostface song where cartoon characters are fucked up druggies and whatnot. The second is on that same, thug rappers can't rhyme premise, but the beat is good and Cold Ice is kinda nice. A good way to end an album, albeit such a bad one.

Overall:

Well that was just awful. The worst album I've reviewed on here by a long shot. In 17 songs it has one that I'd listen to again and about 13 that I'd kill myself if I heard it again. Neither of these guys, especially Marley, have anything to prove at this point and should just hang it up.

Best Songs: "The Day The Music Died/ How About The Mic"

Monday, May 12, 2008

Another Roots Post

Download: "The Grand Return" (Feat. Dice Raw & Wadud Ahmad)



Some heat rocks from the legendary crew. This would have been one of the best songs on the album had they put it on there but I guess since it all goes to iTunes anyway it doesn't really matter.

Saturday, April 26, 2008

Album Review: "Rising Down"- The Roots

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This new Roots album is one that I've been anticipating for some time now and it just leaked onto the nets. Will this be the next great Roots album or just another lackluster post-2000 release?


1. The Pow Wow


An argument over the phone that I can't understand



2. Rising Down (Feat. Mos Def & Styles P)


The best song I've heard this year hands down. The beat is great and the rhymes are generally on point, especially Black Thought's. And what's more is that Mos Def actually raps on this and doesn't just do R&B crooning on the hook or whatever.



3. Get Busy (Feat. Dice Raw & DJ Jazzy Jeff)


This one's kind of experimental because it's got that kind of live, Root's sound with the drums but also a synth bassline thing. Can't argue with the results though because the track is definitely hard. Dice Raw comes through with the hip hop quoteable "I'm kinda like W.E.B. DuBoise/Meets Heavy D. & The Boys." Jazzy Jeff on the cuts...just another great track.



4. @15


A freestyle



5. 75 Bars (Black's Reconstruction)


The obligatory Roots song where Black Thought raps straight through the track with distorted sounding vocals except with the same sound as "Get Busy". A pretty good track but Black could probably tone down on the N word there.



6. Becoming Unwritten


Like the interludes on [insert Roots album here].



7. Criminal (Feat. Saigon & Truck North)


The weakest beat so far and the singing on the hook is a little annoying. Being the Saigon stan that I am I was happy to see him on this album I just wish there was a more exciting track for him to be on.



8. I Will Not Apologize (Feat. P.O.R.N & Dice Raw)


This is just alright like the last one. It sounds like Talib Kweli is on the chorus but doesn't rap on this which is sort of strange.



9. I Can't Help It (Feat. Malik B. & P.O.R.N.)


This one is more synthy sounding and thus more interesting. Maybe this is the natural progression of the Roots sound or something.



10. Singing Man (Feat. Truck North & P.O.R.N.)


This is just weird. The first really skippable track though.



11. Unwritten (Feat. Mercedez Martinez)


Another interlude, this one with rapping.



12. Lost Desire (Feat. Talib Kweli & Malik B.)


Maybe the worst of the synth beats but still a good track. The singing on the hook here is better than on the other songs and the guest spots are nice too.



13. The Show (Feat. Common)


Think of this as a blend between the new, electronic Roots and, say the Phrenology Roots. Still one of the best tracks since the beginning of the album.



14. Rising Up (Feat. Chrisett Michelle & Wale)


This song is kind of weird but I think I could get used to it. It's a nice switch up all the hard, synth beats and stuff. Def Jam is really pushing this Chrisett Michelle, huh?



15. Hidden Track


An old freestyle or something.



Overall:

This is a no brainer when you look at the lack of quality albums to drop this year. For a reference point, I like this to the Roots last two albums, at least on first listen.


Best Tracks: "Rising Down", "Get Busy", "75 Bars"